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Showing posts from 2017

Ruth's Refrigerator 1990 -1992

Songs, albums, European tours all happened with the band Ruth's Refrigerator. I don't quite know how it all came together but it provided an excellent side project during a time when there were no other members of PO! to play gigs or plan anything significant. Ruth's Refrigerator l-r Terri Lowe, Ruth Miller, Blodwyn P. Teabag, Alan Jenkins, Robyn Gibson Main man, Alan Jenkins was in cult 80's band The Deep Freeze Mice and he put out records by various obscure artists. He wrote a letter to me after hearing the flexi on John Peel and invited me to his flat in Leicester to talk about him putting my song 'Appleseed Alley' on a compilation. Then he invited me to sing on some recordings and a band was formed. Before long we were writing songs and drinking lots of very strong coffee. Alan Jenkins was always intriguing and fun to work with. We had a connection without talking much or touching or anything like that. One of the best aspects of playing music with o

What is indiepop? Is it a world of girls?

At an indiepop festival, a friend asked me,  'Is that the theme? Do all indiepop bands have to have females in them?' My answer? 'No, you don't have to have females for a band to be indiepop; it often just seems to happen like that.' Getting to basics, indiepop has three core elements: The punk ethic that anyone can form a band and be listened to. A joy and wonder in the world reflected in tuneful, often simple songs. Small-scale media publicity via word of mouth, fanzines, blogs, podcasts and mixtapes. The toy industry's idea of an 'indie-girl' Being male or female has nothing to do with these; it's just that indiepop doesn't set itself up as a boy's club. Women and girls may feel more willing to have a go within this genre, feeling that their ideas are welcomed. I guess that the child-like joy and wonder thing often correlates with middle-class decency and romanticism, which is why so many indiepop bands look like a bunch o